"A spouse to American Art" provides 35 newly-commissioned essays through top students that discover the technique, historiography, and present nation of the sector of yankee artwork background. gains contributions from a stability of proven and rising students, artwork and architectural historians, and different experts comprises a number of paired essays to stress discussion and debate among students on vital modern concerns in American artwork background Examines themes corresponding to the methodological stakes within the writing of yank paintings historical past, altering principles approximately what constitutes "Americanness," and the connection of paintings to public tradition bargains a desirable portrait of the evolution and present kingdom of the sphere of yankee paintings historical past and indicates destiny instructions of scholarship.
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Additional resources for A Companion to American Art
Newman’s Canadian visit reveals the tensions between the internationalism espoused by the abstract artists who invited him to the “Red” province of Saskatchewan in 1959 and the intense cultural nationalism advocated by a more conservative Canadian government. Sekula, on the other hand, arrived in Ontario in 1985, amidst heated debates over the economic and cultural impact of a proposed bilateral trade pact with the United States (later expanded to include Mexico). ” John Davis analyzes the nationalistic discourse of American exceptionalism in nineteenth-century art theory and criticism and reflects on how it has shaped the 8 ◼ ◼ ◼ I n t r o d u c t i o n practice of American art history, which has sometimes resulted in the definition of American art by absence or negation.
Far more significantly, it seems to us that Americanist and modernist bodies of work still have remarkably distinctive characteristics, even on the occasions when they treat the same material. This chapter, then, asks why this division has been so persistent, and it identifies several historical differences of method and A Companion to American Art, First Edition. Edited by John Davis, Jennifer A. Greenhill, and Jason D. LaFountain. © 2015 John Wiley & Sons, Inc. Published 2015 by John Wiley & Sons, Inc.
2015 John Wiley & Sons, Inc. Published 2015 by John Wiley & Sons, Inc. 18 ◼ ◼ ◼ j o s h ua s h a n n o n a n d jas o n w e e m s style that, unless negotiated, will leave these subdisciplines substantively out of contact with one another. We should caution from the outset that our chapter, which treats only art history in the English language, necessarily relies on generalization. Several scholars work across the lines we describe here, which are meant to delimit mainstreams of Americanist and modernist art histories, respectively.
A Companion to American Art