Amedeo Modigliani, l'art du portrait et du nu: Entre - download pdf or read online

By 50 minutes, Coline Franceschetto

ISBN-10: 2806258243

ISBN-13: 9782806258243

Décryptez l'art d'Amedeo Modigliani en moins d'une heure !
Figure éminente de los angeles bohème parisienne au tournant du XXe siècle, Amedeo Modigliani reste cependant en marge des avant-gardes de l'époque. Il élabore, dans une quête stylistique sans fin, des graphics épurés où se mêlent mélancolie et absence, mais aussi des nus qui créent le scandale. Entre culture et modernité, Modigliani invente un artwork inimitable et reconnaissable entre mille !

Ce livre vous permettra d’en savoir plus sur :
- Le contexte culturel dans lequel Amedeo Modigliani s’inscrit
- los angeles vie de l'artiste et son parcours
- Les caractéristiques et spécificités de son art
- Une sélection d’œuvres-clés de Modigliani
- Son effect dans l’histoire de l’art

Le mot de l'éditeur :
« Dans ce numéro de l. a. série "50MINUTES | Artistes", Coline Franceschetto se penche sur le parcours d'Amedeo Modigliani, cet artiste toscan qui établit ses quartiers à Paris à l'aube d'un siècle nouveau... "Nouveau", son artwork l'est aussi : analysant les thèmes de prédilection et le sort si particulier de l'artiste, l'auteure nous fait pénétrer dans les méandres d'un paintings targeted en son style. Coline Franceschetto étudie plus particulièrement certaines œuvres emblématiques de Modigliani, notamment La Juive ou Nu couché aux bras ouverts. »
Stéphanie Felten

À PROPOS DE l. a. SÉRIE 50MINUTES | Artistes
La série « Artistes » de l. a. assortment « 50MINUTES » aborde plus de cinquante artistes qui ont profondément marqué l’histoire de l’art, du Moyen Âge à nos jours. Chaque livre a été conçu à l. a. fois pour les passionnés d’art et pour les amateurs curieux d’en savoir davantage en peu de temps. Nos auteurs analysent avec précision les œuvres des plus grands artistes tout en laissant position à toutes les interprétations.

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Extra info for Amedeo Modigliani, l'art du portrait et du nu: Entre tradition et avant-garde (Artistes, numéro 38)

Sample text

If we find answers to some of these questions, dating of signed inTo, and possibly even unsigned ones, might become much easier. The most informative inro Signature known to me was published in 1925 by Edward Strange. In his Catalogue ofJapanese Lacquer in the Victoria and Albert Museum in London, he mentions an inro with the following signature: "Kobayashi Yasuaki of Yanagawa, age 65, Bunka 8th, year of Sheep" (No. 1 1 75 ) . There is no ques­ tion, if the inscription is genuine, that the inro is dated 1 8 1 1 , a date confirmed by its execution in sumi-e togidashi (a style of design, imitating an ink painting), a tech­ nique often used at that time.

In 1824 retired as a priest and Koma Kansai III succeeded to the name. It is, so far, quite impossible to say which one of these three artists made which of the many pieces, usually inro, signed Koma KansaL But a look at Kansai inro shows that there are at least three different types of Signatures: ( 1 ) Kansai with kakihan (Fig. 6), (2) Koma Kansai with kakihan (Fig. 7), (3) Koma Kansai saku (Fig. 8). von Rague 27 Figure 6. Signature Kansai with kakihan. Inro Collection Baur, Geneva No. 1 76) Figure 7.

Figure 2. Signature Kajikawa saku (Doi 1 984: No. 4S). Figure 3. Signature Kajikawa saku (Doi 1 984: No. 55). Figure 4. Signature Kajikawa saku with seal (Doi 1 984: No. 21). Figure 5. Signature Kajikawa saku with seal (Doi 1 984: No. 44). No. 35). To make things even more diversified, the nineteenth century master Kajikawa Hidetaka signed his full name, using a round seal (formerly in the collection of Kurt Herberts, Wuppertal, No. ] 1 8 1 7), while Kajikawa Bunryusai did not use a seal but a kakihan (Schneeberger 1 984:No.

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Amedeo Modigliani, l'art du portrait et du nu: Entre tradition et avant-garde (Artistes, numéro 38) by 50 minutes, Coline Franceschetto


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