By K. Winchester
;Art of Woodworking - wooden completing КНИГИ ; ХОББИ и РЕМЕСЛА Автор: ok. Winchester Название: paintings of Woodworking - wooden completing Издательство: Time-Life Books Год: 2005 Формат: djvuРазмер: 5,3 Мб Для сайта: www.mirknig.comКниги из серии The artwork Of Woodworking являются энциклопедией столярного дела.В них можно найти все, что связано со столярными работами.Разобраться можно и без знания английского языка, книги богато иллюстрированы.В этом выпуске рассматриваются финальные работы по дереву(покраска, шлифовка, лакирование). .comuploading.com sixty eight 1 2 three four five
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Extra resources for Art of Woodworking - Wood Finishing
This was something critics sought to make sense of when the painting finally entered the public realm. THE SALON OF 1878 Les Foins proved a sensation at the Salon of 1878. 37 For the thousands approaching the painting, the Salon livret offered the following verses, once again written by Theuriet, as an explication of the scene. Midi! . Les près fauchés sont baignés de lumière. Sur un tas d’herbe fraîche ayant fait sa litière, Le faucheur étendu dort en serrant les poings. Assise auprès de lui, la faneuse hâlée 23 motionless look of a painting Rêve, les yeux ouverts, alanguie et grisée Par l’amoureuse odeur qui s’exhale des foins.
The implicit accomplishment of Les Foins, then, is the persuasiveness of the “moment chosen,” a key phrase that he used in both the review and the book. Bastien-Lepage found a way to make his subject matter endure in front of the viewer’s eyes, and that was the source of the picture’s power. 96 It does much, as well, to explain the consistent yoking of Bastien-Lepage’s project to the art of Millet. 23). 98 In later years, the painting became inextricably intertwined with the cultural and political nostalgia for rural France, but accounts of its iconography in the years immediately following Millet’s death were more straightforward.
Charles Tardieu felt it necessary to defend the work to the “skeptical spectator” who might see only the artist’s cunning tricks. Saint-Victor carried his distaste for Millet’s “theater” over into his account of Bastien-Lepage. 106 Evidence confirms The Angelus was understood, however cryptically and belatedly, as an emblem of the painter’s excessive absorption. A statement by a Belgian collector in 1880 seems to confirm this reading. ”107 Even if Van Praet here seems to reverse the more obvious temporal dialectic—enduring prayer and striking peals—he nonetheless points to a notable tension between the bells and the absorbed peasants who cease their work and hold themselves motionless in prayer.
Art of Woodworking - Wood Finishing by K. Winchester