By S. Magerstädt
Physique, Soul and our on-line world explores how fresh science-fiction cinema solutions questions on physique and soul, virtuality, and spirituality within the electronic age via linking cinematic subject matters with spiritual, philosophical and moral ideas.
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Extra info for Body, Soul and Cyberspace in Contemporary Science Fiction Cinema: Virtual Worlds and Ethical Problems
Even the main antagonist Darth Vader acknowledges the power of the mystic/spiritual over the technological, cautioning his allies when they celebrate the construction of the Death Star: ‘Don’t be too proud of this technological terror you have constructed. ). Nevertheless, the series itself also embraces the advancements of technology, which account to a significant degree for its success. The same can be said about Avatar. Yet here it is not simply a contrast between a high-tech cinematic spectacle and a low-tech narrative.
In contrast to the organic avatar bodies used by Sully and the other scientists, the soldiers in Avatar ‘merge’ with machines resembling those used by the soldiers in The Matrix in order to defend Zion. 1). Moreover, the whole look of the army base on Pandora indeed resembles the visuals of the Terminator machines in their muted and rusty tones and so form a clear counterpart to the bright colours of the organic Na’vi world. However, the former also resemble the ‘real world’ in The Matrix, particularly Zion, forming a contrast to the brightly coloured world of the virtual reality within the Matrix.
His main argument here is twofold. 0006 32 Body, Soul and Cyberspace only for reasons of work efficiency but also for spiritual Enlightenment. Therefore, second, we have also overcome the old dichotomy, which suggests that science and religion are in opposition with each other. It is thus not surprising that so many viewers are drawn towards the basic mythic and spiritual concepts presented in a hyper-modern, technologically enhanced, cyber-world such as Pandora in Avatar. Admittedly, there have been instances of this tendency in earlier science fiction films.
Body, Soul and Cyberspace in Contemporary Science Fiction Cinema: Virtual Worlds and Ethical Problems by S. Magerstädt